The then-minister of Bavaria Franz Joseph Strauß, a member of the CSU political party whose party color is black, justified his close friendship with Togo’s autocratic president Gnassingbé Eyadéma with the dictum, “We blacks have to stick together.” This political alliance between men put economic interests before human rights and thus provided for continuity in the (post-)colonial relationship between the two countries, a relationship Germany had just started to come to terms with.An artistic team with an international history and biographical connections in Togo and Bavaria traces in both places the present-day resonances of the relationship between colonists and those who were colonized. Herbert Utz Verlag, 2000 - 350 стор. The assembly of 50,000 people secured democratic rights in public, and formulated what had previously never been considered. Account & Lists Account Returns & Orders. A creative work in development with actors and a municipal ensemble bring back to life the forgotten activists, their photography studio “Elvira,” the Verein für Fraueninteressen (“The Association of Progressive Women”), and the first Bavarian Women’s Day in 1899. Does it help in the decisive situations in life to sit in one’s own SUV and think about the real estate and bank accounts of one’s parents and grandparents? Thomas Bernhard’s last and most scandalous theater work is a raging, desperate text about the undead evil spirit of fascism. Or to at last turn the tables and buttonhole the dispatchers of all those irritating spam emails! Director: Heike M. Goetze, A realistic play by Porte Parole (Alex Ivanovic, Annabel Soutar, Brett Watson) A Doppelpass project of Dance On / Diehl+Ritter; the Münchener Kammerspiele; and STUK House for Dance, Image and Sound. The visionary Wolfram Lotz interviews a species that doesn’t even exist. New production with dancers from Dance On Ensemble: Ty Boomershine. With Lotz’s cascades of text we immerse in a radicalized, nocturnal stream of thought about what politicians can do, must do, may do, should do, shouldn’t do, may not do, and may not do at all. It was the most terrible terror attack in the history of the Federal Republic of Germany. Theater - - Theater - Tickets Karten Aktuelles Theater Programm mit Spielplan und Tickethotline für die Theaterkarten Bestellung Schauspielhaus Maximilianstraße 26-28. The Canadian theater company Porte Parole explores via long-term projects polarizing atmospheres and the boundaries of paying attention to what other people are saying in a short-tempered society. Alle Rechte vorbehalten. FOR THE LAST TIME. Director: Chris Abraham / Verena Regensburger, A work for actors and puppets based on the novel by Ernst Toller The collective RAUM+ZEIT creates a scenically deep-bore drilling through different levels of collective and individual suppression. She deals with the structural conditions of a society where class differences are simultaneously in effect and negated. The collapse into fascism occurs at first unnoticed, completely underestimated, but the destruction is all the more complete. Who is this supposed to be, “the” politicians? MÜNCHEN / Münchner Kammerspiele "Tiefer Schweb" Schauspiel von Christoph Marthaler Ein Auffangbecken Weitere Termine: 03. Hotels near Müenchner Kammerspiele: (0.04 mi) Hotel Vier Jahreszeiten Kempinski Munchen (0.12 mi) Platzl Hotel (0.13 mi) Mandarin Oriental, Munich (0.13 mi) Maximilian Munich Apartments & Hotel (0.05 mi) Hotel an der Oper; View all hotels near Müenchner Kammerspiele on Tripadvisor And everyone can make a statement about what Munich means to him or her and what needs to be changed. The dance stands for itself, entirely pure, without music, and is based on the permanently varying movement of walking, which is the foundation for all of Child’s dances. Concept, text authors, and directors: Nat Randall and Anna BreckonVideo designers: EO Gill and Anna BreckonSet design: Future Method StudioLighting designers: Amber Silk and Kayla BurrettMusic composition: Nina BuchananResearch and collaboration: Verena Regensburger, A coproduction with Theater der Welt Düsseldorf 2020. Münchner Kammerspiele – Season 2018 to 2019. A narration of the women’s movement in Munich is created as a counter-narration from historic, biographical, and fictionalized material. Theater Mär 2020 - Landestheater Niederbayern, Theater Jul/Aug 2017 - Städtebundtheater Halberstadt / Quedlinburg. Produktionen Den Spielplan finden Sie hier: Oktober bis Dezember 2020 Januar bis März 2021 April bis Juni 2021 Sonderveranstaltungen und Reihen OFS-Produktionen In Planung, Koproduktionen, Gastspiele, Wiederaufnahmen In Planung Inszenierungen von Anne HabermehlIngrid LausundMariano PensottiGerhard Polt & den Well-Brüdern Koproduktionen mit Serge … Münchner Kammerspiele Kammerspiele.... August Strindberg Book Details: Author: August Strindberg Published Date: 08 Apr 2012 Publisher: Nabu Press Language: English, German Format: Paperback::252 pages, ePub, Audio CD ISBN10: 1279808713 File size: 55 Mb Filename: kammerspiele....pdf Dimension: 189x 246x 13mm::458g Download: Kammerspiele... Wir akzeptieren die Gutscheine der Wer “Der letzte Sommer” (“The Last Summer”) by Erika Mann. November 2020 starb Peter Radtke, der in den 1980er-Jahren in mehreren Inszenierungen der Münchner Kammerspiele zu sehen war: 1985 engagierte ihn George Tabori für seine Medea-Version „M“ nach Euripides. In particular through this reduction the pieces reveal a very idiosyncratic view of the dancers’ bodies and their knowledge of their bodies. The portrait shooting, which began with 60 Munich residents, will be continued live and accessible to everyone, with a band made up of Munich musicians playing. Director: Falk RichterSet designer: Wolfgang MenardiCostume designer: Amit EpsteinMusic: Matthias GrübelDramaturge: Tobias Schuster. 80084 Munich. Tram: … 20:00 - 21:30 Hrs. Prime Shopping-Basket. FINNISCH. The box office (Maximilianstraße 26-28) is closed. Choreographer: Lucinda ChildsNew production by Ty BoomershineDancers: Ty Boomershine, Emma Lewis, Gesine Moog, Miki Orihara, Lia Witjes-Poole, and Anna Herrmann. The continents are in motion, a land sinks. Director & Choreography: Anouk van Dijk, A performance by Doris Uhlich with dancers from Munich, A project by and with Julia Häusermann Guided tour through the Münchner Kammerspiele. Bleiben Sie gesund, Ihre SPIELPLAN-Redaktion. She playfully, obliviously, usurpingly, and affirmatively transcribes and transgresses images of self-improvement and norms attributed to womanliness. Münchner Kammerspiele. They have very different political and cultural backgrounds. : +49 (0)531-3104962Fax: +49 (0)531-352266, Aufgrund der verschärften Maßnahmen in Bezug auf die Corona-Krise ist die Website leider nicht tagesaktuell. Please refer media inquiries to:, Open Posts (in German): Arbeiten an den Münchner Kammerspielen, by Falk Richter & Anouk van Dijk Münchner Kammerspiele - Falckenbergstr. Bitte entnehmen Sie die neuesten Informationen der Tagespresse. With Erwin Aljukić, Amie N Dey Jammeh, Mirko De Campi, Ulriqa Fernqvist, Joseph Gebrael, Thomas Hauser, Lukas Karvelis, Anna Gesa-Raija Lappe, Christian Löber, Anne Müller, Melissa Ugolini, TingAn Ying, Text author and director: Falk RichterChoreographer: Anouk van DijkSet designer: Katrin HoffmannCostume designer: Andy BesuchMusic: Matthias GrübelVideo designer: Chris KondekLightdesign: Charlotte MarrDramaturge: Tobias Schuster. Artistic Director Matthias Lilienthal presented the new season together with directors Christopher Rüping, Susanne Kennedy, and Trajal Harrell in June. Kammer 3. A work of haunting virulence in times when in Europe right-wing terrorism, antisemitism, and the ostracism of minorities are once again experiencing a frightening boom. Discover. She’s a medium, a performer who transforms into ghosts, pop icons, telenovela characters, machines, and entertainers. For the Münchner Kammerspiele Gesine Schmidt interviewed technology providers, health care scientists, and health care workers in Germany. Books. Four persons meet for the first time at dinner. The Münchner Kammerspiele thanks the Rehabilitation Center in Munich for programming this website. Saturday 17 October 2020; Falk Richter and the choreographer Anouk van Dijk contemplate, together with their ensemble, a phase of profound upheaval in their very personal creative work in development between dance and theater. 20:00 - 20:30 Hrs. She examines the yearning for impossible contacts and despite all of the resistance unfolds a utopian “habitat,” a divided space of diversity, in which our nude bodies swing to techno beats. Director: Visar MorinaSet and costume designer: Aleksandra PavlovićDramaturge: Tobias Schuster. The audience will also have something to say here. Director: Jan-Christoph Gockel, A research project by Christine Umpfenbach, Based on the novel by Gabriele TergitWorld premiere, A travel project by Ebert / Gockel / Offei / Pietsch / Togbonou / WeigelWorld premiere, Based on texts by Gisela Elsnerin a version by Pınar Karabulut and Mehdi MoradpourWorld premiere, by Nat Randall and Anna BreckonA 24-hour performance with Wiebke Puls and 100 male performers, Text and research by Gesine SchmidtWorld premiere, A creative work in development on the history of the women’s movement in Munich by Jessica GlauseWorld premiere, A collage by The Notwist and Jette Steckel, Choreography by Lucinda Childs C is alone. Four actors re-enact these conflict-laden conversations. syncboy live @ kraut&drastik, münchner kammerspiele, 140125, track 05, "waterfalls"… Both projects are being developed as part of the SCORES OF CHANGE program. “Der letzte Sommer im Leben Gustav von Aschenbachs” (“The Last Summer in the Life of Gustav von Aschenbach”). With precision and a satirical culmination, Abdel-Maksoud dissects our thoughts and actions on the basis of account balances, readings of the will, and sensed threats. By and with Nancy Mensah Offei, Michael Pietsch, Komi Togbonou, Martin Weigel, Director: Jan-Christoph GockelSet and costume designer: Julia KurzwegVideo designer and documentation: Eike ZuleegPuppet construction: Michael PietschDramaturges: Olivia Ebert, Tobias Schuster. 2, 80539 Munich, Germany - Rated 4.7 based on 145 Reviews ".The most adventurous theater institution in Germany!" In “9/26” the many voices of the victims relate stories of the attack on September 26, 1980. Browse the list of upcoming concerts, and if you can’t find your favourite artist, track them and let Songkick tell you when they are next in your area. In Munich in 1919 a soviet republic system of government consisting of workers’ councils is formed. Die Münchner Kammerspiele trauern um Peter Radtke. Münchner theatergeschichtliches Symposium 2000. Maximilianstrasse 28, Munich, Germany About our rating system. Transportation U-Bahn: Marienplatz. A reflection on (gender) identity, the power of a family, and the power of death. Auf LinkedIn können Sie sich das vollständige Profil ansehen und mehr über die Kontakte von Mleihi Mleihi und Jobs bei ähnlichen Unternehmen erfahren. But she’s much more than Frank and much more than Julia, the woman with Trisomie 21. Anne HabermehlIngrid LausundMariano PensottiGerhard Polt & the Well BrothersCo-productions with, Serge Aimé CoulibalyAnna KonjetzkyMariano Pensotti / Marea GroupMonster TruckMarie Schleef, Gisèle VienneJulian WarnerOlive toothGuest performances from, Saša Asentić & Per.ArtKLARA Theater ProductionsYasmeen GodderNatasha A. Kelly3000THEATERLadies and gentlemenTheater HORATeatr 21Lucy Wilke and Paweł DuduśReviews, Falckenbergstraße 2 Im Anschluss erhalten Sie von uns eine E-Mail zur Bestätigung Ihres kostenfreien Abonnements.Wir wünschen Ihnen viel Vergnügen mit unserem aktuellen Newsletter,Ihre Spielplan-Redaktion, Rebhuhnweg 3 38108 Braunschweig Tel. BY MARTIN HECKMANNS, PROJECT OF THE THIRD YEAR DIRECTING CLASS OF THE OTTO FALCKENBERG SCHOOL. "Und so haben die Münchner Kammerspiele mit 'Tiefer Schweb' von Christoph Marthaler nun ein Juwel auf dem Spielplan“ (Deutschlandfunk, Sven Ricklefs) Falckenbergstraße 2 80539 Munich Telefon: 089 / 233 371 00. Her epic novel about two Jewish families, told from their living rooms, is a precise observation on the dynamic rise as well as the stealthy decline of a bourgeois world between 1870 and 1939. History. With Katharina Bach, Svetlana Belesova, Thomas Schmauser, Director: Felicitas BruckerSet and costume designer: Viva SchudtVideo designer: Luis KrawenDramaturge: Tobias Schuster. Programmheft Spielplan Kammerspiele Spielzeit 1969 - 70: Münchner Kammerspiele: Bücher. The Dance On Ensemble dancers in the new production are approximately the same age as the choreographies. Munich Kammerspiele – Season 2018/19. 1986 war er in George Taboris Beckett-Inszenierung „Glückliche … For Hire . Münchner Kammerspiele hosts concerts for a wide range of genres. They energetically discuss the feeling of belonging, gender equality, discriminating language, and religion. An argumentative exercise” is a radical self-examination where the most intimate things will be dealt with in public, because social power structures are inscribed in the stories of our bodies. Olive Oyl is the narrator, the girlfriend of that splendid male specimen, the comic hero Popeye. ZSCHOKKESTRASSE 36. The choreographer Doris Uhlich continues to develop her fundamental idea of a mutually lived-in, mutually danced-in space, and she will conduct an experiment of distancing with a group of thirty Munich residents. Erwin Aljukić, Toni Brucker, Ute Frederich, Daniela Georgieva, Judith Hummel, Luise Kostopoulos, Christian Franz Klein, Kathrin Knöpfle, Kamel Najma, Anna Siller, Pia Wiesner, Michael Würmer, Concept and choreography: Doris UhlichDJ: Boris KopeinigDramaturge: Rania Mleihi, Concept and authors: Eliane Bertschi, Anna Fierz, Julia Häusermann, Nele Jahnke, Mehdi Moradpour, Hans-Jakob Christian Mühlethaler, Maxi Schmitz, Sabina Winkler. Bitte tragen Sie hierfür Ihre E-Mail Adresse ein. Two texts, “Geschwister” (“Siblings”) by Klaus Mann, which had its world premiere in 1930 at Münchner Kammerspiele, and “Der Tod in Venedig” (“Death in Venice”) by Thomas Mann, which was famously filmed in Venice, will be interconnected in this project and continued on a new level. As a unique happening, “What is the City” poses the question of the meaning of a functioning and lively city. The father. Physically touching and proximity transform from being a sign of affection into a potential threat. Our Rating. Bleiben Sie auf dem Laufenden mit aktuellen Meldungen aus der Theaterwelt:Abonnieren Sie jetzt unseren monatlichen Newsletter. Telefon: 089 / 233 371 00, Postal Address How will they interpret their role in this typical scene of a heterosexual relationship, how will they diversify the role? Text author and director: Nora Abdel-MaksoudSet and costume designer: Katharina FaltnerMusic: EnikDramaturge: Olivia Ebert. / 14. None of the 100 men from Munich who are invited to take on Marty’s role will meet Virginia beforehand or rehearse with her; the role of Virginia will be performed in this breathtaking theater marathon by Wiebke Puls. Furious and with desperate courage, they try in 1918 and 1919 to give a devastated country a political and human perspective. Clemens Setz, a master of the bizarre and mysterious magic realism, will now explore a curious side of globalization. Band: Tufan Aydoğan (Keyboard), Mori Dioubaté (Balafon), Simon Popp (Percussion), Manu Rzytki (Synthesizer)Fotos: Josef Beyer (Konzept), Gina Bolle, Francesco Giordano, Sandra Singh, Konzept & Produktion: Gina Penzkofer, Verena RegensburgerDramaturgie: Viola HasselbergBandkonzept & Musikalische Leitung: Sebastian ReierKünstlerische Produktionsleitung Musik: Daniela SchrollTechnische Produktionsleitung: Richard Illmer, * “What is the city but the people” was first commissioned and produced by the Manchester International Festival in a stage design by Simon Banham. It has three major stages located near Maximilianstrasse in Munich. Director: Nele Jahnke, by Sivan Ben Yishai Am 28. Post jobs, find pros, and collaborate commission-free in our professional marketplace. Postfach 10 10 38 Im Profil von Mleihi Mleihi sind 9 Jobs angegeben. How do the interruptions in the way we live together, the way we organize ourselves politically, and the way we keep house, touch the biographies and bodies of the performers? You can find the program sorted by date here: Sponsored by the Doppelpass Fund, a program of the German Federal Cultural Foundation. Die Münchner Kammerspiele trauern um Peter Radtke. MK: Don’t let reality rest. Virginia, a woman, waits. The epidemic. Director: Jan BosseSet designer: Stephan LaiméVideo designer: Ruth StoferCostume designer: Kathrin PlathMusic: Arno KraehahnDramaturge: Viola Hasselberg. Link. After she’s convinced for the time being she’s on the path of a successful modern life of a woman, she gets into a mythical rage. While working Julia Häusermann calls herself “Frank,” after Frank Levinsky from the German television series “Verbotene Liebe” (“Forbidden Love”). With dissecting insights the satirist examines the shallows of the post-war period, which also mark our present: excessive growth, authoritarian tendencies, the suppression of history, and inequality. “Works in Silence,” parts of which will be seen for the first time since 50 years, offers insights into the experimental work of one of the most important representatives of postmodern dance. © 2020 Der Spielplan online - Theater Zeitschrift mit aktuellem Theater Programm - . So it is more important then ever to occupy the public space with a live action to set an example for the diversity of life in this city. Then the same scene begins again, inspired by John Cassavete’s film “Opening Night,” and begins again, and begins again, and begins again, one hundred times in 24 hours. 80539 Munich Sehen Sie sich das Profil von Mleihi Mleihi im größten Business-Netzwerk der Welt an. A man, Marty, enters. Text author & director: Falk Richter Director: Jette SteckelMusic: The NotwistDramaturge: Harald Wolff, A coproduction with Ruhrfestspiele Recklinghausen. When has the time come to seek shelter and leave the country? The project concentrates primarily on the personal consequences that such attacks have – and how we as a society deal with the victims of right-wing violence. Past concerts See all. Director: Christoph FrickDramaturge: Rania Mlehi. But where is a society drifting to when its cornerstones start to totter, and how do people react to an awareness of life that is fundamentally changing?The Notwist recently curated the legendary concert series “Alien Disko” at the Kammerspiele; the director Jette Steckel will develop with the band an evening where text, music, space, and actors relate a collective experience from numerous perspectives. Sivan Ben Yishai speaks in an unveiling, blatant, comical way about everywoman and everyman, about chauvinistic patterns and blind spots in the manner in which we love. Director: Jessica GlauseSet designer: Jil BertermannCostume designer: Aleksandra PavlovićMusic composition: Eva Jantschitsch. The company was founded in 1906 in Schwabing as the private troupe of Erich Ziegel.Beginning in 1917, Otto Falckenberg served as director; in 1926, he moved the company into the Schauspielhaus, (built in Art Nouveau style in 1901 by Richard Riemerschmid and Max Littmann).Since 1933, the Münchner Kammerspiele has been a municipal theater company of the City of Munich. And only now, 40 years later, are the stories of those affected by the attack at the center of the focus. Justice is “out” and immortality is “in”. What do we hope for with the promises of salvation regarding robotics? Director: Pınar KarabulutSet designer: Bettina PommerCostume designer: Aleksandra PavlovićMusic: Daniel MurenaDramaturge: Mehdi Moradpour. The Münchner Kammerspiele is a private theater that focuses on staging contemporary and classic German plays. They talk, they laugh; it’s strange, suspense-packed. A door opens. The sole contact with the outside world is the telephone. What could be more constructive, more invigorating than a telephone call with a customer services hotline? The daughter. Christine Umpfenbach examines the way we deal with memory and the perception of reality. What’s new dies. Director: Nele JahnkeSet and costume designer: Sabina WinklerMusical director: Hans-Jakob Christian MühlethalerVideo designer: Eliane BertschiDramaturge: Mehdi MoradpourAccompaniment and artistic collaboration: Anna FierzPhotography: Maxi SchmitzConcept and authors: Eliane Bertschi, Anna Fierz, Julia Häusermann, Nele Jahnke, Mehdi Moradpour, Hans-Jakob Christian Mühlethaler, Maxi Schmitz, Sabina Winkler, A collaboration with Theater HORA-Stiftung Züriwerk. Therese-Giehse-Halle Falckenbergstraße 1. “Love. Falk Richter compares his analysis of the present with Bernhard’s modern classic work and enquires about those who today are in danger and about their situation. With Svetlana Belesova, Katharina Bach, Jochen Noch, Bernardo Alberto Porras, Director: Bernhard MikeskaText development: Lothar KittsteinArtistic collaboration: Juliane HendesStage: Steffi WursterCostume: Almut EppingerSound design und Musik: Knut JensenLighting design: Charlotte MarrDramaturge: Mehdi Moradpour. Münchner Kammerspiele . The Münchner Kammerspiele was founded as a small private theater by Erich Ziegel in … Munich was an absolute stronghold of the women’s movement 120 years ago; many female artists were in the vanguard of the movement, and also one man. The director Pınar Karabulut, who is interested in sensitive, critically innovative theater, brings to the stage texts by an author who committed suicide by leaping to her death in 1992 in Munich after Communism failed. Director, set and costume designer: Heike M. GoetzeMusic: Fabian KalkerDramaturge: Viola HasselbergTranslated from English by Maren Kames. In 1933 the court reporter and author Tergit had to flee Germany. In Gisela Elsner’s works, screws and sex toys play as much a role as grotesque eating rituals, wolves, and children who love bombs. “Habitat Munich” explodes the prevalent concepts of body, dance, and nudity! The production team interviewed and photographed many great people, but before the event could be realized, the latest developments around the coronavirus put a damper on the performance. With André Benndorff , Sebastian Brandes, Julia Gräfner, Walter Hess, Gro Swantje Kohlhoff, Bekim Latifi, Michael Pietsch, Leoni Schulz, Martin Weigel, Director: Jan-Christoph GockelSet designer: Julia KurzwegCostume designer: Amit EpsteinMusic: Anton BermanLightdesign: Christian SchweigPuppet constructor: Michael PietschDramaturge: Viola Hasselberg.